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Erudite and exhaustive, Gerhard Kubik’s Theory of African Music provides an authoritative account of its subject. Over the course of two volumes, Kubik, one of the most prominent experts in the field, draws on his extensive travels and three decades of study throughout Africa to compare and contrast a wealth of musical traditions from a range of cultures. In this second volume, Kubik explores a variety of topics, including Yoruba chantefables, the musical Kachamba family of Malawˆ i, and the cognitive study of African rhythm. Drawing on his remarkable ability to make cross-cultural comparisons, Kubik illuminates every facet of the African understanding of rhythm, from timing systems to elementary pulsation. His analysis of tusona ideographs in Luchazi culture leads to an exploration of African space/time concepts that synthesizes his theories of art, rhythm, and culture. Featuring a large number of photographs and accompanied by a compact disc of Kubik’s own recordings, Theory of African Music, Volume II, will be an invaluable reference for years to come.

Theory Of African Music, Volume 2 (Chicago Studies in Ethnomusicology, Band 2) PDF ePub

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Theory of African music. Volume II (eBook, 2010) [WorldCat ~ Theory of African music. Volume II. Chicago : University of Chicago Press, 2010 (DLC) 2009042892 (OCoLC)827302336: Material Type: Document, Internet resource: Document Type: Internet Resource, Computer File: All Authors / Contributors: Gerhard Kubik. Find more information about: ISBN: 9780226456959 0226456951: OCLC Number: 1038532150: Notes: Vol. 1 previously published in 1994 by F. Noetzel .

Theory of African Music, Volume II Chicago Studies in ~ Theory of African Music, Volume II (Chicago Studies in Ethnomusicology) by Gerhard Kubik (2010-11-15) / Gerhard Kubik / ISBN: / Kostenloser Versand für alle Bücher mit Versand und Verkauf duch .

Theory of African Music, Volume II, Kubik ~ Erudite and exhaustive, Gerhard Kubik’s Theory of African Music provides an authoritative account of its subject. Over the course of two volumes, Kubik, one of the most prominent experts in the field, draws on his extensive travels and three decades of study throughout Africa to compare and contrast a wealth of musical traditions from a range of cultures. In this second volume, Kubik .

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Theory of African Music, Volume I, Kubik ~ The book Theory of African Music, Volume I, Gerhard Kubik is published by University of Chicago Press. . Chicago Studies in Ethnomusicology. E-book $10.00 to $34.00 About E-books ISBN: 9780226456928 Published Paper w/CD $34.00 ISBN: 9780226456911 Published October 2010 Taken together, these comprehensive volumes offer an authoritative account of the music of Africa. One of the most prominent .

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Theory for Ethnomusicology: Stone, Ruth: 9780132408400 ~ Theory in the field of ethnomusicology is difficult to discern. Ruth Stone's text is the only one now that brings the frameworks into one text, hence it is like a handbook especially for students of ethnomusicology who do not have the time to read the original mostly antique highly intellectual and abstract books that shaped the theories.

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Some theoretical perspectives on African popular music ~ Journal of the Musical Arts in Africa, Vol. 15, Issue. 1-2, p. 93. CrossRef; Google Scholar; Sylvanus, Emaeyak Peter 2019. Nolly-Holly: Negotiating identity in film music. Popular Communication, Vol. 17, Issue. 3, p. 185. CrossRef; Google Scholar; Google Scholar Citations. View all Google Scholar citations for this article. Scopus Citations. View all citations for this article on Scopus × Get .

Ethnography and popular music studies / Popular Music ~ Simon Frith (1982) once bemoaned the fact that students would rather sit in the library and study popular music (mainly punk) in terms of the appropriate cultural theory, than conduct ethnographic research which would treat popular music as social practice and process. Ten years later the literature on popular music is still lacking in ethnography.

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Traditional sub-Saharan African harmony - Wikipedia ~ In most African music, cycles are sub-divided into two, four or eight tonal-harmonic segments." (A theory of African music, Volume II, page 44, paragraph 5). In addition, the use of the tritone interval for tension is common in Africa. Oluwaseyi Kehinde notes "it is interesting that the interval of the tritone (augmented fourth or diminished fifth) is a salient feature in both vocal and .

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